Hatsumode: Welcoming the New Year in Japan
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Hatsumode: Welcoming the New Year in Japan

winter By Shiki Editors June 14, 2026

In most of the world, New Year’s Eve is the loud night and the 1st of January the hangover. Japan flips it. Oshōgatsu — the New Year holiday — is the single most important stretch on the calendar, and it’s almost entirely calm: shrines instead of nightclubs, slow meals of symbolic food, and a whole country quietly resetting itself. Travel through it and you get a side of Japan the other eleven months keep behind closed doors.

What to expect over the holiday

The New Year period genuinely reshapes the country, and it pays to know how before you land.

Hatsumode: the first shrine visit

The signature ritual is hatsumode — the year’s first visit to a shrine or temple, made in the opening days of January to pray for health and good fortune. The scale is hard to believe: in the first three days, Meiji Jingū in Tokyo draws more than three million people through its forest gates, the most of anywhere in Japan. Close behind come Naritasan Shinshō-ji in Chiba and Kawasaki Daishi, each near three million; in Kansai, Fushimi Inari Taisha in Kyoto — head of some 30,000 Inari shrines nationwide — and Osaka’s Sumiyoshi Taisha pull vast crowds of their own. Prefer something gentle? A small neighbourhood shrine offers the exact same ritual in near-silence.

What you’ll see and do:

The night, the food and the first sunrise

Some of the holiday’s best moments happen around the edges of the shrine visit:

And the day every child remembers: otoshidama, little decorated envelopes of cash handed out by relatives.

A season of fresh starts

For a traveller, oshōgatsu asks for some patience — shuttered streets, packed trains, a slower pace. Give it that patience and it hands you something no other week can: the chance to stand in a freezing shrine courtyard with thousands of strangers all quietly hoping the coming year goes well, the last bell still fading, the year’s first sun coming up over the rooftops. No fireworks finale here — just bells, incense, and the shared, hopeful business of beginning again. It’s Japan at its most sincere, and maybe its most beautiful.

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